CONAN EXILES IS THE NEWEST GAME FROM FUNCOM! SET IN THE WORLD OF ROBERT E. HOWARD’S CONAN THE BARBARIAN, AND AVAILABLE ON MULTIPLE PLATFORMS. BY CROM! IT LOOKS AMAZING!
Directed by Lars T. Moen, produced by Tommy Wike and Wike Produksjoner. Colourgrading and online by Mathias Theissen. VFX by Bengt Ove Sandnes.
WHAT DO YOU GIVE YOUR KIDS INSTEAD OF JUICE FILLED WITH SUGAR? WATER? I DON’T THINK SO! YOU CHOOSE NJIE OFF COURSE.
From director Mikkel Ohrvik, and producer Elisabeth Enstad and Small Film. Agency is JCP Ignite.
Edited by Henrik Berge, colourgrading and online by Mathias Theissen, sound design by Preben Grieg-Halvorsen.
LASSE GRETLAND RETURNS TO COMMERCIALS AND MAKES HIS FANTEFILM DEBUT WITH TWO FILMS FOR ST. MICHAEL PEANUTS.
Produced by Rut Solli. Agency is Ernö.
Edited by Henrik Berge. Colour grading and online by Haavard Albertsen. Sound design by Preben Grieg-Halvorsen. Music by Kaada.
IN THE LATEST FILM FROM TOR EINSTABLAND, THE FINEST STORY AND HISTORY ABOUT WOOL IS BEING TOLD. FOR MORE THAN 130 YEARS, GUDBRANDSDALENS ULDVAREFABRIK HAS PRODUCED HIGH QUALITY TEXTILES.
The award-winning manufacturer from Lillehammer is a preferred supplier of wool and chosen by the best designers all over the world. The quality, texture and colours are unique and everlasting. Therefore, the director and producer created a new concept called WOOL FOR GENERATIONS and shot different films with different purposes and angels. First up is the Broadway film.
Edited by Thomas Løvig, sounddesign by Erik Ljunggren and colourgrade by Haavard Albertsen.
WHY ARE THERE SO MANY E-CARS IN NORWAY? ISN'T THAT TOO BIG AND FAR TOO COLD? LET'S JUST ASK SOME NORWEGIANS, THE AGENCY GRABARZ & PARTNER THOUGHT.
The result is the campaign "be more norway» for Volkswagen produced by Abelone Films in Hamburg. Directed by Andreas Kleiberg and edited by Henrik Berge. DoP Andreas Bjørseth. Aerial Footage Daniell Philip Ashby / Tilt Norge AS. The directors cut versions are colour graded by Haavard Albertsen, and sound design by Preben Grieg-Halvorsen.
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